Andrew Garfield’s Striking New Look Turns Heads at the Venice Film Festival
Andrew debuted a fresh look at the Venice Film Festival, pairing his longer hair and clean-shaven face with the precision of BVLGARI’s most iconic designs
By Dayne Aduna
Andrew Garfield’s new look at the 82nd Venice Film Festival
Andrew Garfield unveiled a noticeably different look at the 82nd Venice Film Festival, stepping onto the red carpet with longer, tousled hair and a clean-shaven face that marked a striking departure from his usual style. At 42, the actor managed to appear both relaxed and meticulous, a balance underscored by his choice of accessories.
The statement BVLGARI watch
Andrew wore a blue Dior suit over a striped button-down shirt, a palette that leaned casual, but his finishing touches came courtesy of BVLGARI. On his wrist sat the Octo Finissimo Automatic, a watch widely regarded as a milestone in contemporary fine watchmaking. Crafted in satin-polished stainless steel with an extra-thin 40 mm case, the timepiece houses a BVL 138 calibre movement only 2.23 mm thick, yet it still delivers a 60-hour power reserve.


Its sun-brushed metallic salmon dial, accented with rhodium appliqués, added warmth and intrigue against the steel’s cool precision. The transparent caseback and integrated bracelet underscored the watch’s fusion of Italian design and Swiss engineering, a pairing that has made the Octo Finissimo an icon among modern collectors.
Jewelry that redefined the look


Complementing the watch was BVLGARI’s B.zero1 jewelry, a line defined by its break with convention. Andrew chose the white-gold pendant and matching band ring, both drawing inspiration from the Colosseum’s bold curves. The design, known for its fluid and architectural form, gave his look a sculptural edge without overwhelming the suit’s simplicity.
He was joined by After the Hunt castmates Julia Roberts, Ayo Edebiri, Michael Stuhlbarg, and Chloë Sevigny. The film, a psychological drama set for release in October, casts Andrew as a professor accused of misconduct by a student (Ayo), while Julia plays a colleague grappling with her own hidden past.
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But before audiences encounter Andrew on-screen, his Venice appearance already told its own story. It was less about reinvention for the sake of change than about precision: hair grown out, beard gone, a suit softened, and accessories that spoke as much about engineering and design as they did about style.
Photos courtesy Getty Images
Frequently Asked Questions
Andrew Garfield wore BVLGARI’s Octo Finissimo Automatic, a satin-polished stainless steel watch with an extra-thin 40 mm case. It houses a 2.23 mm-thick BVL 138 calibre movement and delivers a 60-hour power reserve.
Andrew Garfield wore BVLGARI’s B.zero1 white-gold pendant and matching band ring. Both pieces draw on the curved architecture of the Colosseum, a design signature that defines the B.zero1 line.
Andrew Garfield arrived at the 82nd Venice Film Festival with longer, tousled hair and a clean-shaven face, departing from his usual style. He paired a blue Dior suit with a striped button-down shirt.
Andrew Garfield premiered “After the Hunt,” a psychological drama in which he plays a professor accused of misconduct by a student. The cast includes Julia Roberts, Ayo Edebiri, Michael Stuhlbarg, and Chloë Sevigny.
The Octo Finissimo is regarded as a milestone in contemporary watchmaking for its extreme thinness, fusing Italian architectural design with Swiss engineering. Its ultra-thin case and movement have made it an icon among modern collectors.

Dayne Aduna
Dayne Aduna is an Associate Editor at VMAN Southeast Asia, specializing in fashion, grooming, film, television, and contemporary pop culture. With a strong editorial focus on menswear, his work explores how style intersects with shifting cultural movements across Southeast Asia and beyond.
His expertise spans fashion journalism, celebrity profiling, grooming and skincare trends, fragrance, runway reporting, and cultural commentary, with a particular eye for emerging creatives and youth-driven style.
Dayne has written extensively on fashion houses, seasonal trends, designer collections, and the evolving image of the modern Southeast Asian man, bringing both editorial depth and cultural relevance to his coverage.
