Will Ashley Is in His Own Lane
Will talks about growing up in front of the camera, the discipline that keeps him grounded, and why his calm might be his greatest strength
By Dayne Aduna
When pretend started feeling real
By the time Will Ashley understood what acting truly was, he was already immersed in it. His earliest roles were not marked by career milestones or network ratings but by small, self-contained worlds where he could inhabit lives far from his own. “I loved it,” he says now, with the ease of someone recalling a hobby that unexpectedly became a calling.
“From the beginning, I enjoyed every project that came my way. Over time, I realized I wanted to keep getting better, so I told myself this is what I want to do for the rest of my life.”
It began without strategy or long-term plans. Acting was simply fun. It was the thrill of speaking lines that were not his, of living out moments he might never encounter in real life. “What I liked most about my first project was the chance to explore and do things I couldn’t normally do in real life,” he recalls. “Some things I could also do outside, but it felt easier because I was portraying a character. While doing it, I felt complete. It gave me energy, and that’s when I knew this was my passion.”
The invisible audience
That clarity came early, but the industry did not make things easier just because he was young. Growing up on screen means living under a gaze you cannot quite see but can always feel, an invisible audience measuring your growth not only as an artist but as a person. Will is honest about the pressure, but also about the balance he has managed to keep.
“It’s hard to imagine so many eyes watching you, but my journey in the industry has been good. I’ve grown as a person, learned from many people, and improved my craft while still maintaining my privacy. I’m happy I’ve been able to keep a balance between public and private life.”
That balance, he admits, owes much to his mother. She has been his constant, especially after his father passed away when Will was just six years old. “It’s just the two of us now,” he says. “She’s been with me throughout this journey. I learned from her to stay grounded no matter what happens.”
Breaking the safety net
Like many young actors, Will’s filmography reflects an artistic adolescence, testing genres, shifting between tones, and learning by doing. His personal favorite so far is Balota, a political drama about a teacher who risks her life to protect a ballot box of crucial votes as corrupt forces threaten to overturn a local election. He describes the role as complex and emotionally layered, one that deepens an actor’s understanding of the craft.
His most challenging, however, was playing Peter in The Fake Life, a series about a man whose thriving business and seemingly perfect family are upended when he develops a rare condition. The role required him to step away from the safety of teen-oriented projects into the darker, less forgiving territory of villainy. “It was a big jump from teen shows to playing a villain, but I was happy I did it well,” he says.
Preparation for each role begins long before cameras roll. Will builds elaborate backstories for his characters, including details about their upbringing, family, personality, and relationships that never appear on screen but inform every gesture and line delivery. “That helps me draw the right emotions,” he explains.
And yet, for all his dedication to method and craft, there is a restless ambition in the roles he wants next. “I’d love to do something like Split or a Joker-type role to test my skills,” he says, eyes lighting up at the thought. “I also want to try playing a superhero.”
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What he brought into a noisy house
If Will’s on-screen energy is adaptable, his off-screen demeanor is consistently calm. That serenity, he says, is not an act. “I’ve always been calm. My mom is an introvert, and I grew up in a quiet environment,” he explains. But calm is not the same as solitary. Before his stint on Pinoy Big Brother, Will had an active social life, though he admits it was not easy for him to truly connect with people.
Inside the PBB house, surrounded by contrasting personalities, the adjustment was difficult at first. “But my housemates showed me patience, trust, and support. That helped me gain confidence and learn to give my best without fear of judgment.”
Leaving the PBB house meant confronting the public’s verdict. “It was overwhelming at first but validating,” he says. For someone who had long been cautious about expressing himself, the wave of support was a form of liberation.
“I’d been afraid to express myself for years, and knowing people accepted me was a relief. There’s also pressure because I now have a platform to use wisely, but I’ve learned to adjust.”
Long days, a full heart, and no complaints
That adjustment has included embracing a schedule that could exhaust even seasoned veterans. Will describes his days now as long but rewarding. “I’ve been praying for this kind of schedule my whole life, so I welcome it. Even with long days, I still have energy because I love what I do.”
The industry has given him more than just work. It has also given him an accidental mythology: labels like “multimedia heartthrob” and “dream date” that he still meets with disbelief. “When I first heard it, I couldn’t believe it,” he admits, laughing. “It makes me feel the love and support from people, and it shows our hard work is worth it.”
He’s also earned a reputation for kindness, something he insists is not incompatible with self-preservation. “I was raised to help others when I can, but I also take time for myself to reset. That’s my way of being ‘selfish’ in a good way.”
Lasting friendships
Among his most popular collaborations is his on-screen tandem with Bianca de Vera, a pairing that has resonated strongly with fans. “Not at all,” he says when asked if he expected the reception.
“Working with Bianca is fun and easy. Our energy matches, and we’re both grateful for the support we’ve received.”
Outside of romantic leads, he has found a lasting partnership in a close-knit circle of male friends in the industry. “It’s hard to find genuine friends here, but now I have a core group I consider family. That bond inspires me.”
Beyond the spotlight
As for the future, Will’s ambitions are pointed but open ended. There are more acting projects on the horizon, the possibility of starting a music career, and an eagerness to keep challenging himself with new roles. “Maybe even a superhero,” he says, smiling. The thread running through all of this is a desire for growth, not just professionally but personally. “I want to keep learning and improving every day.”
Will’s career might have begun by accident, but its trajectory is anything but. What started as a child’s fascination with the thrill of performance has matured into a disciplined craft, sustained by resilience and a refusal to be defined by any one label. He has built a public life that feels, remarkably, both open and protected, a place where fans can see him clearly while still knowing there are parts of him they’ll never touch.
And maybe that is the secret. In an industry that often rewards the loudest, most restless personalities, Will Ashley has found his place by remaining calm and grounded. He moves through the spotlight not as someone blinded by it, but as someone who understands it is just another form of stage light, useful for the work but not the reason for doing it.
Photography Karl King Aguña
Chief of Editorial Content Patrick Ty
Creative direction Vince Uy
Art direction Mike Miguel
Fashion Ryuji Shiomitsu
Words Dayne Aduna
Grooming and Hair Myckee Arcano
Production design Rocket Design Studio
Production Francis Vicente
Fashion editor Rex Atienza
Fashion associate Corven Uy
Fashion assistant Bryla Kyle Doromal and Ila Dawn
Grooming assistants Jam Jacobe and Arnold Esguerra
Photography assistants Rojan Maguyon and Odan Juan
Gaffer Prime Productions PH
Special thanks Lawrence Tan, Tracy Garcia, Chester Singian, Ysabel Solon, Jashley Cruz, and Sparkle GMA Artist Center

Dayne Aduna
Dayne Aduna is an Associate Editor at VMAN Southeast Asia, specializing in fashion, grooming, film, television, and contemporary pop culture. With a strong editorial focus on menswear, his work explores how style intersects with shifting cultural movements across Southeast Asia and beyond.
His expertise spans fashion journalism, celebrity profiling, grooming and skincare trends, fragrance, runway reporting, and cultural commentary, with a particular eye for emerging creatives and youth-driven style.
Dayne has written extensively on fashion houses, seasonal trends, designer collections, and the evolving image of the modern Southeast Asian man, bringing both editorial depth and cultural relevance to his coverage.
