From Brooches to Capes, Here Are the Biggest Trends Seen at the Met Gala

By the time the last flashbulb dimmed on the Met steps, it was clear: tailoring wasn’t just in the cut this year, it was in the swagger. The 2025 Met Gala, themed “Tailored for You”, a lyrical nod to Black dandyism and the nuance of sartorial self-expression, became less about cloth and more about the stories stitched into the details. And nowhere did those stories speak louder than in the accessories—those intimate declarations worn close to the body, as quiet as a pocket square, as loud as a cape.

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While the evening’s gowns glistened and the usual parade of sheers and sculptural silhouettes filed dutifully past the press pit, it was the men—serene, statuesque, and sometimes slyly smirking—who anchored the evening in its true emotional weight: the gesture of adornment.

Here’s how they did it.

The cape returns with a sweep

It wasn’t so much that the cape came back—more that it never truly left. But on this night, it wasn’t costume or kitsch. It was history. Referencing the late André Leon Talley, whose love for the voluminous and the regal remains unmatched, many men swept up the stairs cloaked in grandeur. Silk-lined, fur-trimmed, and sheer as a sigh, the cape became the ultimate punctuation mark—worn like an heirloom, inherited from fashion royalty.

The brooch broke free

Forget necklaces. This year, the jeweled brooch emerged as the definitive statement—worn not as an afterthought, but as center stage. Pinned at the collarbone, anchoring a lapel, or placed with asymmetrical audacity across a chest, they were accessories and memoirs in metal.

Hats that did more than sit pretty

This year’s hats didn’t just cap off a look—they often carried it. Think sculpted brimmed fedoras, berets with angles like origami, and traditional headwear reinterpreted through a modernist lens. The influence of Black diasporic headwear traditions—from Harlem swagger to Caribbean ease—was undeniable.

The cane as command

Of all the evening’s accessories, the cane was perhaps the most unexpected—and the most potent. In the tradition of Black dandyism, the walking stick has long stood as more than just a walking aid; it’s a tool of self-expression, a statement of power, and a symbol of cultural resistance and pride. At the Met Gala, that symbolism was embraced with confidence.

More than any previous Met Gala in recent memory, this year’s accessories felt curated—not styled. As if each attendee had stepped into their grandmother’s jewelry box, or their grandfather’s hat collection, and walked out with a piece of lineage. And with every pin, every brim, every trailing hem, they carried that history up the Met steps and into the future.

This wasn’t fashion as flash. It was adornment as autobiography. And in the language of tailoring, these men were well-dressed and beautifully, unmistakably written.