Wallflowers: Old-School Tailoring and New-School Tech
Menswear returns to tailoring, reimagined through digital details and modern takes on traditional design

New craftsmanship
Menswear is entering a new phase, one defined not by reinvention but by refinement. This season, designers are returning to structured tailoring with a distinct twist. Traditional East Asian artistry is being reimagined through the lens of artificial intelligence, resulting in visuals that feel grounded in heritage while also shaped by innovation.

suit ivarluski aseron / shirt stefano ricci / eyewear gentle monster
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on craig:
suit and shirt francis libiran / scarf stefano ricci

coat and pants martin uy / shirt stefano ricci
on craig:
coat martin uy / top and pants ivarluski aseron
Classic silhouettes such as sharp blazers, crisp trousers, and clean lines serve as the foundation. What sets them apart is the detail work. Background patterns that were once painted by hand using calligraphic techniques are now digitally rendered, with AI trained to mimic brushstrokes and ink textures. It’s a shift that reflects a broader movement toward using technology not as a gimmick, but as a meaningful tool for creative expression.
Rather than replace traditional craft, these digital methods extend it, creating space for new interpretations of cultural aesthetics. For the industry, it’s a sign that fashion’s relationship with innovation is maturing. For consumers, it opens the door to pieces that feel both familiar and forward-looking. They remain wearable, but carry added depth.
Try incorporating one tailored piece with subtle artistic detailing into your wardrobe. Whether it’s a blazer with printed lining or a shirt with tonal, AI-inspired motifs, the key is balance. Keep it polished, but personal.
As seen in the pages of VMAN SEA 03: now available for purchase!
Photography Doc Marlon
Chief of Editorial Content Patrick Ty
Art direction Mike Miguel
Fashion Rex Atienza
Grooming Nicole Ceballos
Hair Patty Inojales
Models Craig Uy and Enzo Lancone (Monarq)
Special thanks Bryan Sy