The Viral Trend Behind the ‘Spider-Man: Brand New Day’ Credits
Creators across Asia are transforming their own skylines using the cinematic, golden-hour montage style from the film’s end credits
- The end credits for Spider-Man: Brand New Day feature an aesthetic NYC street montage set to Steve Lacy’s track “oh yeah?.”
- The sequence sparked a viral video trend with creators capturing their own hometowns in the same warm, understated light.
- Asian creators in cities like Singapore, Hong Kong, and Taipei are adapting the trend to showcase local urban beauty.
A cinematic love letter for the streets
While post-credit scenes usually focus on teasers, the end credits of Spider-Man: Brand New Day grabbed attention for its pure visual mood. The sequence features a warm, golden-hour montage of ordinary New York City streets set to Steve Lacy’s track “Oh Yeah.”
Rather than focusing on grand superhero spectacle, the montage highlights everyday urban life—sunlit alleyways, quiet corners, and local streetscapes. This stylistic choice struck a deep chord with audiences, who quickly recognized its potential as a visual template.
By grounding the hero’s world in familiar, lived-in environments, the film frames the city itself as a vital character. The understated sequence reframes mundane urban spaces into something poetic, proving that quiet moments can hold just as much weight as high-stakes action scenes.
How Southeast Asian creators are reimagining the aesthetic
The aesthetic sequence quickly crossed over into real-life inspiration as creators took to social media to film their own hometowns. Creators across Asia began adopting the montage style, swapping New York for their own vibrant metropolitan centers.
Short-form videos from Singapore, Hong Kong, and Taipei have started flooding feeds, capturing those same quiet, golden moments in local neighborhoods. By matching Lacy’s soulful track with warm color grading, creators are giving their own streets the same hero-level treatment.
This localized adaptation allows creators to celebrate their unique urban environments through a shared cinematic lens. From the humid neon-lit alleys of Taipei to the sunlit high-rises of Singapore, the trend highlights how diverse Asian landscapes fit effortlessly into the movie’s signature aesthetic.
Celebrating the beauty of everyday spaces
The viral trend showcases how modern cinema influences content creation beyond plot points and comic book easter eggs. By focusing on mood and environment, the credit sequence inspired people to romanticize the mundane spaces they pass through every day.
It encourages a shift in perspective, prompting audiences to pause and appreciate the golden light hitting their daily commute or neighborhood coffee shop. Through this collective lens, everyday street corners are elevated into works of art.
Ultimately, the trend transforms a simple film credit into a global celebration of urban culture. It proves that behind every city skyline lies an understated, cinematic story waiting to be caught in golden light.
Frequently Asked Questions
The end credits montage is set to the track “oh yeah?” by Steve Lacy.
It features a series of warm, still shots capturing ordinary street corners, local architecture, and everyday urban moments.
Creators in major Asian hubs like Singapore, Hong Kong, and Taipei have posted popular renditions highlighting their own local streets.
Audiences resonated with the montage’s understated, romanticized portrayal of everyday city life, turning it into an accessible video template for creators worldwide.
While the original montage centers Manhattan’s urban grid and architecture, Asian adaptations preserve the warm, golden-hour cinematography but substitute local landmarks, street textures, and neighborhood character. Singapore creators emphasize high-rise density and tropical light, Hong Kong artists highlight neon-infused alleyways and vertical urban layering, and Taipei filmmakers capture humid, lantern-lit street life. The trend demonstrates how a Western cinematic template can be creatively localized without losing its emotional core—celebrating the poetic potential of everyday urban environments across distinct regional contexts.

Jianzen Deananeas
Jianzen Deananeas is VMAN Southeast Asia’s Culture and Entertainment Writer, specializing in music, tech, science, and health, as well as pop culture commentary across the region.
He excels in musical analysis, in-depth writing, and crafting compelling narratives that connect industry insiders with a global audience while exploring how modern media shapes contemporary culture.
During his collegiate days, he earned international recognition as an awardee of the Society of Professional Journalists (SPJ) Mark of Excellence Awards, honoring his commitment to editorial integrity and storytelling.
