{"id":29807,"date":"2025-08-01T17:00:53","date_gmt":"2025-08-01T09:00:53","guid":{"rendered":"https:\/\/vman-sea.com\/uncategorized-ms\/5-filem-mesti-tonton-dari-festival-filem-asia-new-york-2025\/"},"modified":"2026-10-14T10:59:27","modified_gmt":"2026-10-14T02:59:27","slug":"5-filem-mesti-tonton-dari-festival-filem-asia-new-york-2025","status":"publish","type":"post","link":"https:\/\/vman-sea.com\/ms\/arts-culture\/film-tv\/5-filem-mesti-tonton-dari-festival-filem-asia-new-york-2025\/","title":{"rendered":"5 Filem Mesti Tonton dari Festival Filem Asia New York 2025"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.nyaff.org\/\">Festival Filem Asia New York<\/a> (NYAFF) sentiasa menjadi syurga bagi mereka yang tidak boleh diklasifikasikan. Ini adalah filem yang menentang label genre yang mudah, cerita yang menyelinap di antara komik, tragis dan aneh tanpa amaran. Tahun ini, festival itu kembali dengan lebih 100 filem dari Asia Timur, Selatan dan Tenggara, mengesahkan komitmennya untuk menonjolkan penceritaan yang melampaui batas dan bakat yang kurang dilihat.  <\/p>\n\n<p class=\"wp-block-paragraph\"><em>BERKAITAN:  <a href=\"https:\/\/vman-sea.com\/ms\/arts-culture\/film-tv\/keputusan-telah-diterbitkan-inilah-apa-yang-orang-ramai-katakan-tentang-filem-cannes-yang-paling-dinanti-nantikan\/\">Keputusan Telah Diterbitkan. Inilah Apa yang Orang Ramai Katakan Tentang Filem Cannes Yang Paling Dinanti-nantikan <\/a><\/em><\/p>\n\n<p class=\"wp-block-paragraph\">Disokong oleh <a href=\"https:\/\/www.filmlinc.org\/\">Filem di Lincoln Center<\/a> dan pelbagai institusi kebudayaan Asia, NYAFF telah menjadi platform kritikal untuk kedua-dua penulis terkenal dan pembuat filem baru muncul, kebanyakannya menyajikan karya yang bertentangan dengan model pengedaran konvensional.<\/p>\n\n<p class=\"wp-block-paragraph\">Rancangan tahun 2025 terdiri daripada kajian watak intim kepada seram eksperimen, daripada drama berunsur politik kepada cerita jenayah yang tidak masuk akal. Di bawah ialah lima filem menonjol yang mentakrifkan edisi tahun ini: <\/p>\n\n<h2 class=\"wp-block-heading\">Jauh di Pergunungan (China, dir. Li Yongyi)<\/h2>\n\n<p class=\"wp-block-paragraph\">Dalam penampilan sulungnya, pengarang lama Zhang Yimou, Li Yongyi membina dongeng luar bandar yang bernuansa noir dalam bentuk filem thriller prosedural. Berlatarkan tahun 1990-an China, filem ini dibuka dengan tindakan yang kelihatan tidak berbahaya: seorang pegawai pusat pemeriksaan membatalkan denda lalu lintas. Apa yang berikut ialah lingkaran naratif yang melibatkan pemandu trak yang hilang, anak perempuannya yang melarikan diri, dan sebuah restoran di tepi jalan yang mungkin atau mungkin bukan bahagian hadapan untuk pembunuhan bersiri.  <\/p>\n\n<p class=\"wp-block-paragraph\">Diposisikan di suatu tempat di antara kemustahilan adik-beradik Coen dan ketakutan yang perlahan-lahan membakar pawagam Cina Generasi Keenam, <em><em><a href=\"https:\/\/www.nyaff.org\/nyaff25\/films\/deep-in-the-mountains\">Deep in the Mountains<\/a><\/em><\/em> menggabungkan sindiran suram dengan kritikan sosial. Arahan Yongyi adalah berkaedah, mengutamakan zum perlahan dan pembingkaian luar biasa, membenarkan reput moral dan institusi cerita meresap secara beransur-ansur. <\/p>\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"aErQ79v3kP206uc4TNlfiWFHKJXtbxzIBpe8MjSVgD1nsGdmA5qhy\"><iframe loading=\"lazy\" title=\"Deep in the Mountain | FEFF27 Trailer\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/NUN0Tvo_6vU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span>\n<\/div><\/figure>\n\n<h2 class=\"wp-block-heading\">The Way We Talk (Hong Kong, dir. Adam Wong)<\/h2>\n\n<p class=\"wp-block-paragraph\">Kajian terbaru Adam Wong ialah kajian komunikasi dan identiti yang bergema dalam komuniti pekak dan cacat pendengaran Hong Kong. Ia mengikuti tiga orang dewasa muda: Sophie, Wolf, dan Alan, yang hidupnya bersilang di sekitar bahasa isyarat. Filem ini tidak berpusat pada kecacatan tetapi pada kerumitan kemasukan dan politik bahasa.  <\/p>\n\n<p class=\"wp-block-paragraph\">Adam menggunakan reka bentuk bunyi inventif dan skrip yang sebahagian besarnya senyap untuk menyelami penonton dalam perspektif wataknya. Minatnya dalam budaya belia dan ruang marginal, jelas dalam karya terdahulu seperti <em><a href=\"https:\/\/www.filmlinc.org\/films\/the-way-we-keep-dancing\/\">The Way We Keep Dancing<\/a><\/em> , menemui ekspresi yang lebih tenang dan introspektif di sini. Hasilnya ialah sebuah filem yang akan datang yang mengelakkan perasaan sentimental, sebaliknya memfokuskan pada rundingan persahabatan, identiti dan persefahaman yang rapuh.  <\/p>\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"ekyDUOuYngj6aSPYpZTCtvzbMxoGlxLJERZXdCe92F1zNEOLWwgyjcnMJIs287Gi4hoWfuHIsrmRA8FKHh6t5qbaTr3l1v\"><iframe loading=\"lazy\" title=\"The Way We Talk \u300a\u770b\u6211\u4eca\u5929\u600e\u9ebc\u8aaa\u300b - Official UK Trailer\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/_hbcW8Ye2Bc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span>\n<\/div><\/figure>\n\n<h2 class=\"wp-block-heading\">Bagaimana Berani Anda? (Jepun, dir. Mipo O) <\/h2>\n\n<p class=\"wp-block-paragraph\">Pengarah Jepun, Mipo O kembali dengan satira sekolah rendah yang diperhatikan dengan tajam yang menangkap kesegeraan dan kekeliruan idealisme zaman kanak-kanak. Cerita berpusat pada Yuishi, seorang pelajar darjah empat yang tergila-gila dengan Kokoa sekelas selepas ucapannya yang berapi-api tentang keadilan alam sekitar. Misi bersama mereka untuk \u201cmenyelamatkan planet ini\" dengan cepat meningkat menjadi satu siri tindakan sesat, menjelma menjadi kisah moral yang huru-hara.  <\/p>\n\n<p class=\"wp-block-paragraph\">Filem ini berlabuh dengan persembahan naturalistik daripada pelakon mudanya dan lakon layar yang cekap mengimbangi jenaka dengan ulasan sosial. Mipo menggunakan bilik darjah sebagai mikrokosmos untuk wacana politik dan ketegaran ideologi, mengeluarkan percanggahan pendidikan moral awal dengan tepat dan bijak. <\/p>\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"1E0seCpym4LDFflVNrdH6bUXqkKatuWnBgTIxiY\"><iframe loading=\"lazy\" title=\"NYAFF24: HOW DARE YOU? | \u3075\u3064\u3046\u306e\u5b50\u3069\u3082 directed by Mipo O\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/dXv_1JUwS_k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span>\n<\/div><\/figure>\n\n<h2 class=\"wp-block-heading\">Hear Me: Our Summer (Korea Selatan, dir. Jo Seon-ho)<\/h2>\n\n<p class=\"wp-block-paragraph\">Adaptasi Korea bagi percintaan Taiwan 2009 <em><a href=\"https:\/\/www.imdb.com\/title\/tt1562328\/\">Hear Me<\/a><\/em> , versi Jo Seon-ho mengekalkan premis teras, percintaan yang tidak mungkin dimediasi melalui bahasa isyarat, tetapi menempatkannya dalam konteks budaya Korea yang jelas. Filem ini mengisahkan Yong-jun, seorang graduan baru yang bekerja sebagai penghantar, yang jatuh cinta kepada kakak seorang perenang pekak yang kerap dikunjunginya. Semasa dia belajar berkomunikasi melalui bahasa isyarat, dia semakin tertarik dengan dunia mereka, hanya untuk mendapati dirinya tidak bersedia untuk kerumitan emosi yang menyusul.  <\/p>\n\n<p class=\"wp-block-paragraph\">Dirakam dengan palet warna yang lembut dan disunting dengan kekangan, <em>Hear Me: Our Summer<\/em> lebih mengutamakan dalaman berbanding melodrama. Arahan berhati-hati Seon-ho membawa tekstur baharu kepada cerita asal, menyerlahkan nuansa kesunyian dan ketegangan antara kebolehcapaian dan keintiman. <\/p>\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"5TqJe86g9s1ErhR\"><iframe loading=\"lazy\" title=\"NYAFF24: HEAR ME: OUR SUMMER | \uccad\uc124 directed by Jo Seon-ho\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/gsRnREeoj4k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span>\n<\/div><\/figure>\n\n<h2 class=\"wp-block-heading\">Panor (Thailand, dir. Putipong Saisikaew)<\/h2>\n\n<p class=\"wp-block-paragraph\">Sebuah prekuel kepada francais seram Thai <em><a href=\"https:\/\/mydramalist.com\/9919-art-of-the-devil\">Art of the Devil<\/a><\/em> , <em>Panor<\/em> membayangkan semula mitos siri itu melalui lensa kajian watak dan seram rakyat. Filem ini mengikuti Panor, seorang wanita muda yang dipulaukan oleh kampungnya kerana disyaki berniat jahat. Ketika malang mula menimpa penyiksanya, perubahan Panor menjadi objek ketakutan dan kemungkinan dendam terbentuk dengan tidak dapat dielakkan.  <\/p>\n\n<p class=\"wp-block-paragraph\">Arah Putipong Saisikaew banyak bersandar pada suasana, kesan praktikal dan ketegangan psikologi. Filem ini disandarkan oleh persembahan yang memerintah daripada Cherprang Areekul, yang mengimbangi kelemahan dan ancaman dengan tepat. Panor juga berdiri sebagai bukti kekuatan berterusan Asia Tenggara dalam pawagam genre, terutamanya dalam keupayaannya untuk menggabungkan cerita rakyat dengan kebimbangan moden dengan cara yang meresahkan dan berdaya maju secara komersial.  <\/p>\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"qWdhesPiVpLgtyxkGDJAEZ6F38m\"><iframe loading=\"lazy\" title=\"\u3010Official Trailer ENG SUB\u3011Panor\u300a\u0e1e\u0e19\u0e2d \/ \u9ed1\u715e\u5973\u300b(2025)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/pfrMHRLVkSo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span>\n<\/div><\/figure>\n\n<p class=\"wp-block-paragraph\">Bersama-sama, lima filem ini menggambarkan kepelbagaian dan keperluan kreatif yang menjadi teras NYAFF tahun ini. Sama ada melalui bentuk inovatif, naratif yang kurang diwakili atau eksperimen genre berani, mereka mengesahkan reputasi festival sebagai tapak utama untuk menemui gelombang pawagam global seterusnya. <\/p>\n\n<p class=\"has-text-align-center wp-block-paragraph\">Gambar ihsan <strong><em>Festival Filem Asia New York 2025<\/em><\/strong><\/p>\n\n<div class=\"wp-block-agb-advanced-accordion\"><script type=\"application\/ld+json\">{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What is the New York Asian Film Festival (NYAFF) and what was shown at the 2025 edition?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"NYAFF is a festival that spotlights cinema from East, South, and Southeast Asia, supported by Film at Lincoln Center. The 2025 edition featured more than 100 films, ranging from intimate character studies and experimental horror to political dramas and absurd crime stories.\"}},{\"@type\":\"Question\",\"name\":\" Which films stood out at NYAFF 2025, according to VMAN SEA?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Five films stood out: Deep in the Mountains (China, Li Yongyi), How We Speak (Hong Kong, Adam Wong), How Dare You? (Japan, Mipo O), Hear Me: Our Summer (South Korea, Jo Seon-ho), and Panor (Thailand, Putipong Saisikaew).\"}},{\"@type\":\"Question\",\"name\":\"What is Deep in the Mountains by Li Yongyi about?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Deep in the Mountains is the feature debut of Li Yongyi, a longtime editor for Zhang Yimou. Set in 1990s China, it is a noir-tinged procedural thriller about a missing truck driver and a suspicious roadside restaurant, mixing bleak satire with social critique.\"}},{\"@type\":\"Question\",\"name\":\"Which NYAFF 2025 films feature sign language and the Deaf community?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Two films feature sign language. How We Speak follows three young adults in Hong Kong's Deaf and hard-of-hearing community. Hear Me: Our Summer, a Korean adaptation of a 2009 Taiwanese romance, uses sign language as the medium of its love story.\"}},{\"@type\":\"Question\",\"name\":\"How does Panor relate to Art of the Devil, and what does it mean for Southeast Asian genre cinema?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Panor is a prequel to the Thai cult horror franchise Art of the Devil, starring Cherprang Areekul. It blends folklore with modern anxieties, showing the strength of Southeast Asian genre cinema as both unsettling and commercially viable.\"}}]}<\/script><h2 style=\"text-align:left\">Soalan Lazim<\/h2><div class=\"accordion\" role=\"tablist\"><div class=\"accordion-item\"><button class=\"accordion-summary\" aria-expanded=\"false\" aria-controls=\"accordion-content-7f8207e1-b3f4-4548-8782-0ad6be7aad8a-0\" id=\"accordion-summary-7f8207e1-b3f4-4548-8782-0ad6be7aad8a-0\" style=\"text-align:left\"><h3>Apakah itu Festival Filem Asia New York (NYAFF) dan apa yang telah ditayangkan pada edisi 2025?<\/h3><svg width=\"16\" height=\"16\" viewbox=\"0 0 16 16\" class=\"accordion-icon\" fill=\"none\" aria-hidden=\"true\"><path d=\"M13 6L8 11L3 6\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\"><\/path><\/path><\/svg><\/button><div id=\"accordion-content-7f8207e1-b3f4-4548-8782-0ad6be7aad8a-0\" class=\"accordion-content\" role=\"region\" aria-labelledby=\"accordion-summary-7f8207e1-b3f4-4548-8782-0ad6be7aad8a-0\" style=\"text-align:left\"><div class=\"accordion-content-inner\"><p>NYAFF ialah festival yang menonjolkan sinema dari Asia Timur, Selatan, dan Asia Tenggara, disokong oleh Film at Lincoln Center. Edisi 2025 menampilkan lebih daripada 100 filem, daripada kajian watak intim dan seram eksperimental hingga drama politik dan kisah jenayah absurd. <\/p><\/div><\/div><\/div><div class=\"accordion-item\"><button class=\"accordion-summary\" aria-expanded=\"false\" aria-controls=\"accordion-content-7f8207e1-b3f4-4548-8782-0ad6be7aad8a-1\" id=\"accordion-summary-7f8207e1-b3f4-4548-8782-0ad6be7aad8a-1\" style=\"text-align:left\"><h3>  Filem mana yang menonjol di NYAFF 2025, menurut VMAN SEA?<\/h3><svg width=\"16\" height=\"16\" viewbox=\"0 0 16 16\" class=\"accordion-icon\" fill=\"none\" aria-hidden=\"true\"><path d=\"M13 6L8 11L3 6\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\"><\/path><\/path><\/svg><\/button><div id=\"accordion-content-7f8207e1-b3f4-4548-8782-0ad6be7aad8a-1\" class=\"accordion-content\" role=\"region\" aria-labelledby=\"accordion-summary-7f8207e1-b3f4-4548-8782-0ad6be7aad8a-1\" style=\"text-align:left\"><div class=\"accordion-content-inner\"><p>Lima filem menonjol: Deep in the Mountains (China, Li Yongyi), How We Speak (Hong Kong, Adam Wong), How Dare You? (Jepun, Mipo O), Hear Me: Our Summer (Korea Selatan, Jo Seon-ho), dan Panor (Thailand, Putipong Saisikaew). <\/p><\/div><\/div><\/div><div class=\"accordion-item\"><button class=\"accordion-summary\" aria-expanded=\"false\" aria-controls=\"accordion-content-7f8207e1-b3f4-4548-8782-0ad6be7aad8a-2\" id=\"accordion-summary-7f8207e1-b3f4-4548-8782-0ad6be7aad8a-2\" style=\"text-align:left\"><h3>Apa maksud Deep in the Mountains oleh Li Yongyi?<\/h3><svg width=\"16\" height=\"16\" viewbox=\"0 0 16 16\" class=\"accordion-icon\" fill=\"none\" aria-hidden=\"true\"><path d=\"M13 6L8 11L3 6\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\"><\/path><\/path><\/svg><\/button><div id=\"accordion-content-7f8207e1-b3f4-4548-8782-0ad6be7aad8a-2\" class=\"accordion-content\" role=\"region\" aria-labelledby=\"accordion-summary-7f8207e1-b3f4-4548-8782-0ad6be7aad8a-2\" style=\"text-align:left\"><div class=\"accordion-content-inner\"><p>Deep in the Mountains ialah tayangan sulung Li Yongyi, seorang editor lama Zhang Yimou. Berlatar di China tahun 1990-an, ia merupakan thriller prosedural berunsur noir tentang seorang pemandu lori yang hilang dan sebuah restoran tepi jalan yang mencurigakan, menggabungkan satira suram dengan kritikan sosial. <\/p><\/div><\/div><\/div><div class=\"accordion-item\"><button class=\"accordion-summary\" aria-expanded=\"false\" aria-controls=\"accordion-content-7f8207e1-b3f4-4548-8782-0ad6be7aad8a-3\" id=\"accordion-summary-7f8207e1-b3f4-4548-8782-0ad6be7aad8a-3\" style=\"text-align:left\"><h3>Filem NYAFF 2025 mana yang menampilkan bahasa isyarat dan komuniti Pekak?<\/h3><svg width=\"16\" height=\"16\" viewbox=\"0 0 16 16\" class=\"accordion-icon\" fill=\"none\" aria-hidden=\"true\"><path d=\"M13 6L8 11L3 6\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\"><\/path><\/path><\/svg><\/button><div id=\"accordion-content-7f8207e1-b3f4-4548-8782-0ad6be7aad8a-3\" class=\"accordion-content\" role=\"region\" aria-labelledby=\"accordion-summary-7f8207e1-b3f4-4548-8782-0ad6be7aad8a-3\" style=\"text-align:left\"><div class=\"accordion-content-inner\"><p>Dua filem menampilkan bahasa isyarat. How We Speak mengikuti tiga orang dewasa muda dalam komuniti Pekak dan kurang pendengaran di Hong Kong. Hear Me: Our Summer, adaptasi Korea daripada kisah cinta Taiwan tahun 2009, menggunakan bahasa isyarat sebagai medium kisah cintanya.  <\/p><\/div><\/div><\/div><div class=\"accordion-item\"><button class=\"accordion-summary\" aria-expanded=\"false\" aria-controls=\"accordion-content-7f8207e1-b3f4-4548-8782-0ad6be7aad8a-4\" id=\"accordion-summary-7f8207e1-b3f4-4548-8782-0ad6be7aad8a-4\" style=\"text-align:left\"><h3>Bagaimana Panor berkait dengan Art of the Devil, dan apa maknanya untuk sinema genre Asia Tenggara?<\/h3><svg width=\"16\" height=\"16\" viewbox=\"0 0 16 16\" class=\"accordion-icon\" fill=\"none\" aria-hidden=\"true\"><path d=\"M13 6L8 11L3 6\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\"><\/path><\/path><\/svg><\/button><div id=\"accordion-content-7f8207e1-b3f4-4548-8782-0ad6be7aad8a-4\" class=\"accordion-content\" role=\"region\" aria-labelledby=\"accordion-summary-7f8207e1-b3f4-4548-8782-0ad6be7aad8a-4\" style=\"text-align:left\"><div class=\"accordion-content-inner\"><p>Panor ialah prekuel kepada francais seram kultus Thailand, Art of the Devil, yang dibintangi oleh Cherprang Areekul. Ia menggabungkan cerita rakyat dengan kebimbangan moden, menunjukkan kekuatan sinema genre Asia Tenggara sebagai sesuatu yang mengganggu dan juga berdaya saing secara komersial. <\/p><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Festival Filem Asia New York (NYAFF) sentiasa menjadi syurga bagi mereka yang tidak boleh diklasifikasikan. Ini adalah filem yang menentang label genre yang mudah, cerita yang menyelinap di antara komik, tragis dan aneh tanpa amaran. Tahun ini, festival itu kembali dengan lebih 100 filem dari Asia Timur, Selatan dan Tenggara, mengesahkan komitmennya untuk menonjolkan penceritaan..<\/p>\n","protected":false},"author":8,"featured_media":29789,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[278,212],"tags":[4512,4508,4513,4511,4510,4509],"coauthors":[234],"class_list":["post-29807","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-filem-tv","category-seni-budaya-ms","tag-festival-filem","tag-festival-filem-asia-new-york","tag-festival-filem-asia-new-york-2025","tag-filem-ms","tag-nyaff-ms","tag-nyaff-2025-ms"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO Pro 5.0.3 - aioseo.com -->\n\t<meta name=\"description\" content=\"Daripada filem thriller yang tidak masuk akal kepada percintaan bahasa isyarat, lima judul 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Aduna","author_link":"https:\/\/vman-sea.com\/ms\/author\/dayne-aduna\/"},"uagb_comment_info":0,"uagb_excerpt":"Festival Filem Asia New York (NYAFF) sentiasa menjadi syurga bagi mereka yang tidak boleh diklasifikasikan. Ini adalah filem yang menentang label genre yang mudah, cerita yang menyelinap di antara komik, tragis dan aneh tanpa amaran. Tahun ini, festival itu kembali dengan lebih 100 filem dari Asia Timur, Selatan dan Tenggara, mengesahkan komitmennya untuk menonjolkan penceritaan..","_links":{"self":[{"href":"https:\/\/vman-sea.com\/ms\/wp-json\/wp\/v2\/posts\/29807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vman-sea.com\/ms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vman-sea.com\/ms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vman-sea.com\/ms\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/vman-sea.com\/ms\/wp-json\/wp\/v2\/comments?post=29807"}],"version-history":[{"count":0,"href":"https:\/\/vman-sea.com\/ms\/wp-json\/wp\/v2\/posts\/29807\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vman-sea.com\/ms\/wp-json\/wp\/v2\/media\/29789"}],"wp:attachment":[{"href":"https:\/\/vman-sea.com\/ms\/wp-json\/wp\/v2\/media?parent=29807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vman-sea.com\/ms\/wp-json\/wp\/v2\/categories?post=29807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vman-sea.com\/ms\/wp-json\/wp\/v2\/tags?post=29807"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/vman-sea.com\/ms\/wp-json\/wp\/v2\/coauthors?post=29807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}