{"id":3890,"date":"2024-11-14T18:00:00","date_gmt":"2024-11-14T10:00:00","guid":{"rendered":"https:\/\/vman-sea.com\/uncategorized-id\/desainer-masa-depan-bandid-lasavong\/"},"modified":"2025-07-08T17:41:05","modified_gmt":"2025-07-08T09:41:05","slug":"desainer-masa-depan-bandid-lasavong","status":"publish","type":"post","link":"https:\/\/vman-sea.com\/id\/fashion\/fashion-editorials\/desainer-masa-depan-bandid-lasavong\/","title":{"rendered":"Semangat Pemberontakan Bandid Lasavong Melejit Lewat Busana"},"content":{"rendered":"\n

Fondasi tradisional<\/h2>\n\n

Bandid Lasavong<\/a> menggabungkan tekstil tradisional Laos, yang dikenal dengan pola tenunan tangan dan makna simbolis yang kaya, ke dalam siluet kontemporer yang menantang batas-batas mode konvensional.<\/p>\n\n

Mantel kebesaran berfungsi sebagai kanvas untuk motif tradisional yang rumit, di mana pola kuno yang ditemukan dalam tekstil upacara Laos ditata ulang melalui lensa modern. Pola-pola ini, yang secara historis mewakili perlindungan spiritual dan identitas budaya, kini menari-nari di atas potongan-potongan yang tidak konvensional dan bentuk-bentuk asimetris. Penjajaran desain yang dihormati ini dengan penjahitan yang mutakhir menciptakan pernyataan yang kuat tentang evolusi dan pelestarian budaya. <\/p>\n\n

\n\n
\n\n \n
\n\n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \"Kensuke,\n\n <\/picture>\n\n <\/span>\n\n \n
\n\n \n \n <\/div>\n\n \n <\/figure>\n\n \n <\/div>\n\n<\/div>\n\n\n

Evolusi modern<\/h2>\n\n

Dalam sebuah keberanian yang berbeda dari aturan berpakaian tradisional Laos, Bandid memperkenalkan elemen jala yang menambah kesan punk yang khas. Lapisan-lapisan yang terbuka ini diseimbangkan dengan elemen tekstil, menciptakan ketegangan antara eksposur dan penyembunyian. Palet warnanya berasal dari kedua dunia-menggabungkan warna-warna yang kaya dan bersahaja khas kain lokal Laos dengan warna hitam pekat dan aksen metalik yang menjadi ciri khas mode punk. <\/p>\n\n

Melalui pakaiannya, Bandid tidak hanya menantang batas-batas konvensional mode tetapi juga menyajikan komentar yang kuat tentang identitas budaya di dunia yang semakin mengglobal. Rancangannya menjadi bukti bagaimana keahlian tradisional dapat berkembang dan tetap relevan dengan tetap menghormati akarnya. <\/p>\n\n

Kisah ini muncul di halaman VMAN SEA 01: sekarang tersedia untuk dibeli!<\/mark><\/strong><\/em><\/p>\n\n

<\/p>\n\n

Fotografi BJ Pascual<\/em><\/strong><\/p>\n\n

Arahan kreatif Vince Uy<\/em><\/strong><\/p>\n\n

Fashion Ryuji Shiomitsu<\/em><\/strong><\/p>\n\n

Perawatan Thazzia Falek<\/em><\/strong><\/p>\n\n

Asisten perawatan George Dillinger<\/em><\/strong>, Vincci Tardes<\/em><\/strong>,<\/strong><\/em> dan Jhessie Recto <\/em><\/strong> <\/p>\n\n

Rambut Patty Cristobal<\/em><\/strong><\/p>\n\n

Kuku Luz Fortuno (Salon Alis dan Kuku Triple Luck)<\/em><\/strong><\/p>\n\n

Retouching Untalan Musim Panas<\/em><\/strong><\/p>\n\n

Model Kensuke Adachi (Mercator), Diego Morissens (Luminary), <\/em><\/strong>dan Eugene Reggio (Mercator)<\/em><\/strong><\/p>\n\n

Produksi Jones Palteng<\/em><\/strong><\/p>\n\n

Asisten mode Aaron de Chavez, Ar Valdez, Patricia Naomi Cruz, <\/em><\/strong>dan Nichole Anne Pura<\/em><\/strong><\/p>\n\n

Di lokasi Studio PioneerX<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Fondasi tradisional Bandid Lasavong menggabungkan tekstil tradisional Laos, yang dikenal dengan pola tenunan tangan dan makna simbolis yang kaya, ke dalam siluet kontemporer yang menantang batas-batas mode konvensional. Mantel kebesaran berfungsi sebagai kanvas untuk motif tradisional yang rumit, di mana pola kuno yang ditemukan dalam tekstil upacara Laos ditata ulang melalui lensa modern. Pola-pola ini,..<\/p>\n","protected":false},"author":8,"featured_media":3567,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[258,155],"tags":[880,868,881,869],"coauthors":[234],"class_list":["post-3890","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-editorial-mode","category-mode","tag-bandid-lasavong-id","tag-mode-asia-tenggara","tag-mode-laos","tag-pakaian-pria"],"acf":[],"aioseo_notices":[],"uagb_featured_image_src":{"full":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED.jpg",2048,2560,false],"thumbnail":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED.jpg",77,96,false],"medium":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED.jpg",2048,2560,false],"medium_large":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED.jpg",640,800,false],"large":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED.jpg",2048,2560,false],"1536x1536":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED.jpg",1229,1536,false],"2048x2048":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED.jpg",1638,2048,false],"120w_square":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED-120x120.jpg",120,120,true],"240w_square":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED-240x240.jpg",240,240,true],"320w_square":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED-320x320.jpg",320,320,true],"640w_square":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED-640x640.jpg",640,640,true],"960w_square":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED-960x960.jpg",960,960,true],"1280w_square":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED-1280x1280.jpg",1280,1280,true],"1600w_square":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED-1600x1600.jpg",1600,1600,true],"1920w_square":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED-1920x1920.jpg",1920,1920,true],"2240w_square":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED-2048x2240.jpg",2048,2240,true],"2560w_square":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED.jpg",2048,2560,false],"120w":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED-120x150.jpg",120,150,true],"240w":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED-240x300.jpg",240,300,true],"320w":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED-320x400.jpg",320,400,true],"640w":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED-640x800.jpg",640,800,true],"960w":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED-960x1200.jpg",960,1200,true],"1280w":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED-1280x1600.jpg",1280,1600,true],"1600w":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED-1600x2000.jpg",1600,2000,true],"1920w":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED-1920x2400.jpg",1920,2400,true],"2240w":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED.jpg",2048,2560,false],"2560w":["https:\/\/assets.vman-sea.com\/wp-content\/uploads\/2024\/11\/LASAVONG-FEATURED.jpg",2048,2560,false]},"uagb_author_info":{"display_name":"Dayne Aduna","author_link":"https:\/\/vman-sea.com\/id\/author\/dayne-aduna\/"},"uagb_comment_info":0,"uagb_excerpt":"Fondasi tradisional Bandid Lasavong menggabungkan tekstil tradisional Laos, yang dikenal dengan pola tenunan tangan dan makna simbolis yang kaya, ke dalam siluet kontemporer yang menantang batas-batas mode konvensional. Mantel kebesaran berfungsi sebagai kanvas untuk motif tradisional yang rumit, di mana pola kuno yang ditemukan dalam tekstil upacara Laos ditata ulang melalui lensa modern. Pola-pola ini,..","_links":{"self":[{"href":"https:\/\/vman-sea.com\/id\/wp-json\/wp\/v2\/posts\/3890","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vman-sea.com\/id\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vman-sea.com\/id\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vman-sea.com\/id\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/vman-sea.com\/id\/wp-json\/wp\/v2\/comments?post=3890"}],"version-history":[{"count":0,"href":"https:\/\/vman-sea.com\/id\/wp-json\/wp\/v2\/posts\/3890\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vman-sea.com\/id\/wp-json\/wp\/v2\/media\/3567"}],"wp:attachment":[{"href":"https:\/\/vman-sea.com\/id\/wp-json\/wp\/v2\/media?parent=3890"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vman-sea.com\/id\/wp-json\/wp\/v2\/categories?post=3890"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vman-sea.com\/id\/wp-json\/wp\/v2\/tags?post=3890"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/vman-sea.com\/id\/wp-json\/wp\/v2\/coauthors?post=3890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}