Kavan Kwan Is Just Getting Started
The road to fashion rarely runs in a straight line, and Kavan’s story proves why
By Dayne Aduna
- Singaporean model Kavan Kwan turned a missed casting into the launch of a promising career built on resilience and self-belief.
- He advocates for greater representation of Asian models while championing collaboration within the creative community.
- Off set, Kwan stays grounded through running, music, and the routines that keep fashion’s fast pace in perspective.
Built by persistence, not luck
Kavan Kwan knows that modeling careers are rarely built on perfect timing. The Singaporean model’s path began with a missed opportunity that, in hindsight, became the moment everything changed.
As he was completing Singapore’s mandatory military service, a friend encouraged him to attend an open casting for a local agency. He earned a callback but missed it while on holiday in Seoul. The agency told him he would have to wait another three months for another chance. Instead, he created one.
“If one agency showed interest in me, perhaps shooting my shot with another one wouldn’t hurt,” he recalls.
This decision led him to reach out to Now Model Management, which signed him as his mother agency. What could have been a setback became the first step in a career that now places him among Singapore’s rising faces in fashion.
Behind the campaigns and editorials, however, Kwan’s story is far from the overnight success many assume.
Growing up, confidence did not come easily. He remembers being teased for his acne and struggling with a stutter brought on by insecurity. Modeling became a way of proving something to the younger version of himself.
“I’m doing my best for that version of me because I want to prove to the young Kavan that we have come so far. I’m sure he’d be flabbergasted with what we’ve achieved in this industry.”
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Building a better industry together
At a time when creative industries increasingly celebrate collaboration over competition, Kavan believes real progress happens when artists actively create opportunities for one another. He frequently spotlights fellow creatives on social media, attends their events, and recommends emerging talent for projects whenever possible.
“My belief lies in supporting and connecting creatives, including myself, with one another, as this is the only way for us to truly progress,” he says.
His outlook extends to the industry’s evolution. Fashion, he believes, has made meaningful strides in challenging long-held beauty standards across Asia.
For decades, lighter skin dominated campaigns and advertising across the region. Today, darker skin tones are becoming increasingly visible, marking a more expansive definition of beauty. “Tan skin now looks healthy, and melanin is sexy,” he says.
Yet he believes the work remains unfinished. Despite greater conversations around representation, many international campaigns in Asia continue to favor Western models under the assumption that they are more commercially viable.
“If the Asian market wants to grow with its Asian consumers, brands need to show them what their products look like on Asian models.”
For Kavan, embodying a brand’s vision begins long before the camera starts clicking. His preparation is surprisingly internal. Hours before a shoot, he lets go of his own identity, studies moodboards, and imagines the character he is about to become.
“Am I gonna be a jellyfish floating in the ocean today? Or a Casanova walking on the streets of Vegas? I just let my imagination run wild.”
It is an approach that reinforces his belief that modeling is, at its core, a form of performance. Every campaign demands a different character, and every frame tells a different story.
Like every working model, Kavan has learned that rejection remains part of the profession. “I’ve been rejected more times than booked,” he says. Rather than treating rejection as failure, he sees it as timing. One collection may not require his look, while the next season might.
“You never really know with modelling. Your look might not be in demand for a certain collection or job, but who knows? It’s bound to change.”
The same philosophy shapes the way he approaches body image. Early in his career, he was told he needed to lose weight to succeed. Today, he views those expectations with greater perspective.
“Every job has a different requirement for your body shape,” he says. “I always tell myself to enjoy life, and not obsess over how I look in the mirror.”
The work behind the image
Away from fashion’s pace, Kavan’s rituals remain refreshingly uncomplicated. Music helps him shut out overstimulation during long travel days, while an unexpectedly long run has become his preferred way to decompress after major shoots.
“When I’m running, I completely detach,” he says. “It’s like my body unties itself and I’m born again.”
When the work is finally done, though, there is only one place he wants to be. Home. There, the routine rarely changes. He orders dinner, settles onto the couch, and calls his girlfriend, Gina, while something plays on television in the background.
“Talking to my Gina on the phone always recharges me. I look forward to calling her after every shoot. It’s a non-negotiable for me.”
As fashion continues to broaden its definition of who gets to shape culture, Kavan Kwan is building his own version of success on his terms. His story is defined by persistence and the confidence that opportunities can always be created, even when they first appear to have been missed.
Photography Bjorn Michael
Frequently Asked Questions
Kavan Kwan is a Singaporean fashion model represented by Now Model Management.
Kavan began modeling after attending an open casting following his mandatory military service in Singapore. After missing a callback from one agency, he reached out to Now Model Management, which signed him as his mother agency.
He believes the industry has made progress in embracing darker skin tones and broader beauty standards. However, he says more brands should feature Asian models in campaigns created for Asian consumers.
Kavan views rejection as part of the profession and believes every “no” is simply another opportunity to try again. He says trends and casting needs change constantly, making persistence essential.
He unwinds by listening to music, going on long runs after shoots, and spending quiet time at home. Calling his girlfriend after work is a daily ritual that helps him reset and recharge.

Dayne Aduna
Dayne Aduna is an Associate Editor at VMAN Southeast Asia, specializing in fashion, grooming, film, television, and contemporary pop culture. With a strong editorial focus on menswear, his work explores how style intersects with shifting cultural movements across Southeast Asia and beyond.
His expertise spans fashion journalism, celebrity profiling, grooming and skincare trends, fragrance, runway reporting, and cultural commentary, with a particular eye for emerging creatives and youth-driven style.
Dayne has written extensively on fashion houses, seasonal trends, designer collections, and the evolving image of the modern Southeast Asian man, bringing both editorial depth and cultural relevance to his coverage.
